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Wade in the water song analysis essay
But this lyric succeeds as more than just send-up; it is also an articulation and celebration of this created family that nurtures and protects these kids, an artificial and also very family that has through necessity replaced their dysfunctional, probably abusive birth families. It is this family at the heart of the show’s surface plot which must survive the difficulties and obstacles of teenage life, and also which must be sustained even as its leader attempts to create a relationship outside the family for the first time. This lyric tells us – and these kids are telling each other – that these Ties That Bind are indeed strong enough to withstand the current conflicts, and the song’s reprise at the end of the show reminds us of the importance of that strength for these kids.
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The phenomenon that was began its long life in the summer of 1971 at Chicago’s Kingston Mines Theatre, in which its authors Jim Jacobs and Warren Casey were acting ensemble members. The show opened February 5, 1971, in a basement theatre where an audience of a hundred sat on the floor on newspaper. The set consisted of backdrops painted on brown paper. At that time the show had far less music, far less plot, and no central characters. But it did have infectious songs like "Greased Lightning," "Beauty School Dropout," "Those Magic Changes," and "We Go Together," and a solo for Patty Simcox that was later cut, "Yuck." New York producers Ken Waissman and Maxine Fox saw the show and recognized its surprising honesty and the appeal of its rough edges. Two of the Chicago cast members, Dinah Manoff (Marty) and James Canning (Doody) would play those roles on Broadway. Manoff would continue her role in the film.
How do I Write a Song Analysis Essay? | Synonym
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Music has always been a part of human society. All societies on earth, from the primitive races living in near-stone age conditions to the most sophisticated elites of high society enjoy music in one form or the other. It has been said to soothe beasts and to calm raging minds. Of all abstract arts known to man, it mathematics and music are the most noble. However, music transcends mathematics since any individual with a sense of hearing can appreciate and enjoy music, while mathematics can only be enjoyable to professors, mathematicians and that is after years of extensive training and practice. Personally, I have a taste for the rock and roll music of the seventies, eighties, and early nineties, with bands like the Eagles, Bon Jovi and Nirvana being among my personal favorites.
The story of is set during the 1958-59 school year, at exactly the same time that America was facing the preliminary rumblings of the Sexual Revolution that would arrive in the mid-1960s and blossom in the 70s, only to be ended by AIDS in the early 80s. And like did later, shows us how America reacted to this tumultuous time though two of its main characters. Danny Zuko (along with Rizzo and Kenickie) represents that segment of American teens already sexually active in the 1940s and 50s, who ultimately frees the conforming Sandy to express her sexuality without fear or shame, leading her into a new life and a new decade of sexual freedom – a theme also at the heart, though far more cautiously, of the 1959 film , starring Sandra Dee and Troy Donahue. Sandy Dumbrowski (notice how ethnic all the character names are, to suggest that they are working class) is mainstream America, reluctant to throw off the sexual repression of the conforming 1950s for the sexual adventuring of the 1960s. is the story of –and the story of America – the way sex was changing and the part rock and roll and cars and drive-ins played in that transformation. In the movie, the central love story may be the point, but on stage the romance is just a device for making a larger, more interesting point. isn’t about Danny and Sandy (which is why fifteen of the show’s twenty songs have nothing to do with them); is about how rock and roll changed sex in America. And those who criticize for its "immoral" ending don’t understand what this show is really about – and they really haven’t paid attention to the lyric of "All Choked Up."
Song Analysis: Same Love – Macklemore Essay Sample
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Now that the characters are established and the plot is underway, takes a moment with "Those Magic Changes" to explore the show’s central themes, to underline the importance and centrality of music in this story and also in the show’s social commentary. Closely based on Paul Anka’s "Diana" and its distinctive bass line (you can actually sing "Magic Changes" to "Diana"), it also includes those distinctive falsettos vocal ornaments that pay homage to songs like The Diamonds’ comic doo-wop hit, "Lil Darlin’." Doody starts off solo, then the girls join in, then the boys join in, then two of the boys take off on those falsetto riffs, giving the whole song the tang of improvisation, as if these kids are just fooling around between classes. This is part of what gives such a unique feel, unlike almost any other musical.
Unlike their parents, rock and roll took teenagers . It took teenage and teenage seriously. It put teenage emotions on a level with adult emotions, and it made teenagers feel like adults. And the best part for the kids was that parents rock and roll. (A 1957 article in asked "Are You Afraid of Your Teenager?") Much of the authenticity of lies in its songs, a virtual catalog of 1950s styles, structures, chord progressions, lyrical themes, distinctive bass lines, and unforgettable guitar licks, all as authentic as a 1954 Fender Stratocaster. By opening the show with the old-fashioned "Alma Mater," followed by the explosion of the hard rocking "Alma Mater Parody," the kids of literally rebel against their older selves (at the reunion), the past assaulting the present, reminding the adults in the audience that most of them have become what they once hated most: The Establishment. The "Alma Mater Parody," blasts off with one of the most famous guitar licks of all time, created by Chuck Berry for the hit "Johnny B. Goode." Berry was one of the fathers of rock and roll, and so in this first scene, instantly establishes its authenticity and its as a rock and roll document.
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Hey Jude – Song Analysis Essay Example for Free
But perhaps it’s time for in its original formto return at last, in this new Age of Ironic Detachment. In 2005, Norman Lebrecht wrote about the new postmodern musicals () in his online column: "The music in each of these shows amplifies this element of separation, licensing us to stand apart from what we are seeing and enter a third dimension where each of us can individually decide whether to take the plot literally or sardonically, whether to take offense or simply collapse in giggles. This degree of Ironic Detachment is the very making of the postmodern hit musical. Ironic Detachment would be unattainable in a Tom Stoppard play because I.D. requires musical inflexion; it is impossible in opera and ballet, which are stiffened by tradition against self-mockery. Its application is unique to the musical comedy, an ephemeral entertainment which has found new relevance through its philosophical engagement with 21st century concepts of irony and alienation." Still, Ironic Detachment isn’t entirely new in musical theatre – we’ve seen it before, periodically over the twentieth century, in (1928), (1931), (1937), (1950), (1959) (1961) (1965), (1966), (1969), (1970), (1973), (1974), and yes,
Song Analysis Essay | Country Music Project
While the kids – and the show’s authors – were in high school, the movies and were released in 1956 (the same year the mayor of Jersey City, New Jersey, banned all rock and roll within the city limits), giving some teens their first chance to actually see Little Richard, Chuck Berry, Bill Haley and the Comets, The Platters, and many others performing their songs. That same year the teen exploitation flick was also released. In 1957, Roger Corman’s daring (which still holds up pretty well) and were released. was about a girl gang out for revenge after one of their members is murdered by a rival gang. The film ended with a giant rumble with girl and boy gangs fighting in an auto salvage yard. This was their parents’ kind of movie. That same year saw Michael Landon in , a much more serious film than it sounds, about a damaged, "misunderstood" teen and about American teenagers’ feelings (reinforced by rock and roll) of "us vs. them." Jack Kerouac’s groundbreaking, anti-authoritarian was published that year too, the inevitable follow-up to . In 1958, two more teen movies were released that showed us the underbelly of American teenage life (real or imagined), and the girl-gang . In 1959, was released, one of the great teen gang drive-in movies, as well as , one of the great make-out movies. The 1928 sexually charged novel was finally released in America in 1959 and sold six million copies the first year.
Song Analysis - by Sneakypanda - Anti Essays
Music is a great passion for me, and it plays a crucial role in my life. I usually have a playlist of favorite songs on my portable music player, which I like to play when I get up in the morning. I have playlists for almost all moods and times of day. Other than that, music is a way I get to relate with my friends. Most of my friends tend to enjoy the kind of music that I do, and that gives us a common interest. Apart from rock music, I also listen to classical music. The shifting musical preferences speak to different aspects of my being. Rock and pop music is good for social events, and I like presenting mix tapes to my friends and loved ones occasionally. I find classical music intellectually stimulating, and I usually like to do my studies with Beethoven, Bach or Mozart playing in the background. Classical music has great sentimental value for me. One of my earliest memories was sitting on my late grandfather’s lap as he read me a story, with the haunting violin concertos of Tchaikovsky playing in the background. I cannot listen to Tchaikovsky without thinking of my grandfather.
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