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John Keats's works online : | |
A concise and well-written biographical introduction to Keats and his major poetry, arranged into four seasons: spring, summer, autumn, and winter. Poems are quoted in full but are set off from the critical narrative in italic font.
Steyaert, Kris. Steyaert contends that critics have often characterized Keats's writing as effeminate, but fail to discern the "masculine" undercurrent in his poems. 1 (1996).
John Keats on the About network:
Ed. Ashton Nichols. The relationships between literary works and natural history in the century before Darwin, with articles on Keats and other Romantics.
It looks, on the face of it, as if the kind of genius Keats is thinking about, simply cannot make up his mind, and that is partly the case; but the reason he cannot make up his mind is because his own identity is precarious, and he is continually being invaded by the identies of other people. The person of fixed opinion, such as Wordsworth, enjoys, or perhaps suffer from, 'egotistic sublime'.
Factual information on John Keats:
But enough of Mr. Leigh Hunt and his simple neophyte. — If any one should be bold enough to purchase this "Poetic Romance," and so much more patient, than ourselves, as to get beyond the first book, and so much more fortunate as to find a meaning, we entreat him to make us acquainted with his success; we shall than return to the task we now abandon in despair, and endeavour to make all due amends to Mr. Keats and to our readers.
We are told that "turtles 'passion' their voices," (p. 15); that "an arbour was 'nested,'" (p. 23); and a lady's locks "'gordian'd' up," (p. 32); and to supply the place of the nouns thus verbalized Mr. Keats, with great fecundity, spawns new ones; such as "men-slugs and human 'serpentry,'" (p. 41); the "'honey-feel' of bliss," (p. 45); "wives prepare 'needments,'" (p. 13) — and so forth.
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Essays and criticism on John Keats - Keats, John
A balanced collection of essays, which consider Keats’s poetic techniques, his political and historical contexts, and tensions and conflicts in his ideas about poetry. Includes essays by Michael O’Neill, Nicholas Roe, Fiona Robertson, David B. Pirie, J. R. Watson, Gareth Reeves, Martin Aske, and Timothy Webb.
Critical Essays on John Keats - Hermione De Almeida
Ryan, Robert M., and Ronald A. Sharp, eds. The Persistence of Poetry: Bicentennial Essays on Keats. Amherst: University of Massachusetts Press, 1998.
To Autumn by John Keates - Critical Analysis Essay …
Some of the persons who studied with Eli Siegel came to write poems that he was able to say were true poetry. And his criterion in looking at a poem by a contemporary was the same as that with which he looked at a poem by John Donne or Li Po or Baudelaire: Did the person see, and express what he or she saw, with such a fullness of sincerity that the permanent opposites of reality are musically one in the lines? Following are some of these poems. They were presented at a Saturday evening reading at the Aesthetic Realism Foundation during Poetry Month, April 2009.
critical essays on john keats | Download eBook PDF/EPUB
An important bicentenary collection, with a focus on historical contexts, poetic technique, and Keats’s moral philosophy. Contains essays by Jack Stillinger, M. H. Abrams, Walter J. Bate, Aileen Ward, Ronald Sharp, Eavan Boland, Susan Wolfson, Donald H. Reiman, Elizabeth Jones, Debbie Lee, Terence Hoagwood, Hermione de Almeida, David Bromwich, George Steiner, and Philip Levine.
Critical analysis of 'Ode to Autumn' John Keats was born in 1795
Kenyon Jones, Christine. How early nineteenth century ideas of evolution, associated with geology and paleontology, influenced the writing of Keats and other romantics. 24 (2001).
John keats la belle dame sans merci critical analysis essay
Raymond Macdonald Alden: "Another contributor was John Wilson Croker, who, from his political associations, would have been thought likely to devote himself to works in that field, but who seems actually to have found most pleasure in invading the field of poetry. Unfortunately for his reputation, the anonymity of his work has been penetrated by the ruthless researches which have attached his name to the Quarterly's ill-famed review of Endymion, proving that it was he whom Shelley immortalized as a 'deaf and viperous murderer' and a 'noteless blot on a remembered name.' We no longer believe that this review hastened (much less caused) the death of Keats, and hence can view it more calmly than Croker's contemporaries. We can see that most of the charges which the reviewer brought against Endymion were pretty well justified, and that his fault lay only in a not unnatural blindness to the beauty and promise of the experimental work before him, together with a typical rude pleasure in inflicting pain" Critical Essays of the Early Nineteenth Century (1921) xxv.
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