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Poe saw God more as process than purpose.
Most critics would argue this point by saying that Poe would "assume" that the reader would "know" that the protagonist was male, therefore, he would see no need to identify his sexless narrator.
In preliterate societies oral literature was widely shared; it saturated the society and was as much a part of living as food, clothing, shelter, or religion. In barbaric societies, the minstrel might be a courtier of the king or chieftain, and the poet who composed liturgies might be a priest. But the oral performance itself was accessible to the whole community. As society evolved its various social layers, or classes, an elite literature began to be distinguishable from the folk literature of the people. With the invention of writing this separation was accelerated until finally literature was being experienced individually by the elite (reading a book), while folklore and folk song were experienced orally and more or less collectively by the illiterate common people.
However, Poe was a perfectionist who left very little to guesswork.
Literature is a form of human expression. But not everything expressed in words even when organized and written down is counted as literature. Those writings that are primarily informative technical, scholarly, journalistic would be excluded from the rank of literature by most, though not all, critics. Certain forms of writing, however, are universally regarded as belonging to literature as an art. Individual attempts within these forms are said to succeed if they possess something called artistic merit and to fail if they do not. The nature of artistic merit is less easy to define than to recognize. The writer need not even pursue it to attain it. On the contrary, a scientific exposition might be of great literary value and a pedestrian poem of none at all.
The purest (or, at least, the most intense) literary form is the lyric poem, and after it comes elegiac, epic, dramatic, narrative, and expository verse. Most theories of literary criticism base themselves on an analysis of poetry, because the aesthetic problems of literature are there presented in their simplest and purest form. Poetry that fails as literature is not called poetry at all but verse. Many novels certainly all the worlds great novels are literature, but there are thousands that are not so considered. Most great dramas are considered literature (although the Chinese, possessors of one of the worlds greatest dramatic traditions, consider their plays, with few exceptions, to possess no literary merit whatsoever).
Elizabeth Arnold Poe was an actress.
by Edgar Allan Poe is a story about two men at a carnival, the narrator Montresor, who is being eaten by jealousy, and Fortunato, a rich drunk man that has a weakness for wine.
Oratory, the art of persuasion, was long considered a great literary art. The oratory of the American Indian, for instance, is famous, while in classical Greece, Polymnia was the muse sacred to poetry and oratory. Romes great orator Cicero was to have a decisive influence on the development of English prose style. Abraham Lincolns Gettysburg Address is known to every American schoolchild. Today, however, oratory is more usually thought of as a craft than as an art. Most critics would not admit advertising copywriting, purely commercial fiction, or cinema and television scripts as accepted forms of literary expression, although others would hotly dispute their exclusion. The test in individual cases would seem to be one of enduring satisfaction and, of course, truth. Indeed, it becomes more and more difficult to categorize literature, for in modern civilization words are everywhere. Man is subject to a continuous flood of communication. Most of it is fugitive, but here and there in high-level journalism, in television, in the cinema, in commercial fiction, in westerns and detective stories, and in plain, expository prose some writing, almost by accident, achieves an aesthetic satisfaction, a depth and relevance that entitle it to stand with other examples of the art of literature.
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Edgar Allan Poe - essays and papers
This poem is about what appears to be a disparity between poetry and science, and the poet trying to figure out what it is about this that is making him uncomfortable. The general structure of the poem is a sonnet which first declares that science is the subject of the poem and then attempts an accusation of science for making the world less suitable for making poetry. However, it is unclear if the rhetoric is meant to be a direct accusation, or if the accusation is actually a call for an answer, and this will be explored in more detail later.
Free Edgar Allan Poe papers, essays, and research papers.
In “Annabel Lee,” and “The Oval Portrait,” Edgar Allan Poe uses romance to illustrate the essence of death and misery and to illustrate elements in which the reader can actually feel that was is happening in the story is happening to them....
Edgar Allan Poe :: essays research papers - 123helpme
The Greek philosopher and scholar Aristotle (384-322 BC) is the first great representative of the constructive school of thought. His (the surviving fragment of which is limited to an analysis of tragedy and epic poetry) has sometimes been dismissed as a recipe book for the writing of potboilers. Certainly, Aristotle is primarily interested in the theoretical construction of tragedy, much as an architect might analyze the construction of a temple, but he is not exclusively objective and matter of fact. He does, however, regard the expressive elements in literature as of secondary importance, and the terms he uses to describe them have been open to interpretation and a matter of controversy ever since.
Category: essays research papers; Title: Edgar Allan Poe
Robert Patterson’s “Once upon a midnight dreary: The life and addictions of Edgar Allan Poe” is, as what the title suggests, all about the excesses and addictions of this celebrated American writer.
Free Essays on Biography of Edgar Allan Poe
As the first writer to compose tales of horror, death, and mystery into literature and poetry, he is blessed, maybe even cursed, with an imagination that set higher standards in the field of writing.
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