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Bradford manuscript dated 4 August 1830

To the end of his days, Bernstein was plagued with regret that he had failed to writethe Great American Opera. Instead, he wrote , the great Americanmusical. (Ironically, though, one of his last recording projects (on DGG 415 253) was amisguided attempt to recast the show as grand opera, which only produced a travesty of thegritty original.)

Warner, (Acting) Secretary of the Navy - Meritorious Unit Commendation - USS Everett F.

1983. Mixed media and collage on paper. Signed, dated and inscribed "Sue Coe/Holly Metz, A Raw One Shot," lower right; titled, upper right. 38" × 52" (96.5 × 132.1 cm). Reproduced in , front and back covers.

Signature: Signed/Dated with Drawing

1986. Oil on canvas. Signed and dated, lower left. 58 3/8" x 30 1/8" (148.3 x 76.5 cm).

On May 7, 1954, the French command surrendered. Giap later reflected that the Viet Minh victory at Dien Bien Phu validated a “great historic truth, that a colonized and weak people, once it has risen up and is united in the struggle and determined to fight for its independence and peace, has the full power to defeat the strong aggressive army of an imperialist country.” The lesson was not lost on other colonized peoples around the world. Nor would the Vietnamese forget this lesson in the next unexpected phase of the struggle.

(on Sony SM3K 47154) is a 45-minute two-character chamberpiece which traces an empty day in the vacuous lives of Sam and Dinah, a boredupper-middle class couple. The lyrics are pedestrian; but, after all, how many operalibrettos could ever pass for great literature? It is redeemed by Bernstein's magnificentmusic which is seeped in the idioms of its time (including cinematic dissolves andcross-cutting) and brilliantly contrasts Sam's superficial bravado at his office and gymwith Dinah's desperate dreams of an emotional life.

Gatenby signature and date on ffep.

SIGNED ON TITLE PAGE BY BOTH ADOFF & COOK & dated May 2010 (Ohio State Library Book Fair).

The administration’s peace rhetoric was aimed at domestic and international audiences, not the Vietnamese. Indeed, UN Secretary-General U Thant worked tirelessly during the 1960s to broker a peace agreement based on the Geneva Agreements of 1954, but to no avail. The real difficulty for Johnson and company would be to explain to the American people why American blood had been shed in Vietnam at all. Having passed up ripe opportunities to resolve the burgeoning war in Vietnam in late 1963, following the Diem overthrow, and in late 1964, following his re-election as the “peace candidate,” President Johnson sabotaged another opportunity to negotiate an end to the war in late 1966. The Hanoi government was prepared to sit down with U.S. representatives in secret talks arranged by Poland, code-named “Marigold,” when Johnson authorized bombing raids on the center of Hanoi for the first time on December 13 and 14. The North Vietnamese pulled out, the talks collapsed, and the war expanded.

The man at the helm of the “death machine” from June 1964 to June 1968, General William C. Westmoreland, was callous in his attitude toward Vietnamese civilian deaths and saw technical advances in Vietnam as inaugurating a new way of war. He told an army lobby group in October 1969 that “on the battlefield of the future, enemy forces will be located, tracked and targeted almost instantaneously through the use of data links, computer assisted intelligence evaluation and automated fire control. With first round kill probabilities approaching certainty, and with surveillance devices that can continually track the enemy, the need for large forces to fix the opposition will be less important.”

A presentation copy inscribed and dated by the translator in the year of publication.
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Signed And Dated Essay - Triepels Slagwerk

True, this is not the natural, ambient sort of sound we have come to prefer nowadays,but this was hardly a "natural" conception. If the performance is a vibrantdream, its recording is a thrashing hallucination. The all-important rhythm, which poundshome the structure and jump-starts the dynamics, and the exaggerated presence, whichunderlines the radical harmonies, all attack us, grab our attention, and force us toretreat from their overwhelming power. This is classical engineering at its most creative– using the resources of the studio to enhance the composer's and performers' intentions.

Signed and dated essay Swabbies snipes skivvywavers and cardon turned

The administration rushed the resolution to Congress the following day, August 5, before any investigation of Humphrey’s allegations could be investigated and substantiated. Introduced under the title, “Joint Resolution to promote the maintenance of international peace and security in southeast Asia,” the resolution mixed a deceptive version of events in the Gulf of Tonkin with illusory claims of protecting the people of Southeast Asia, as prelude to authorizing “the President, as Commander in Chief, to take all necessary measures to repel any armed attack against the forces of the United States and to prevent further aggression.” This was an open-ended declaration of war, but few members of Congress realized it at the time.

Signed and dated in the year of publication by both authors

The sound is so extremely clear that it startles, even today. A huge number of spotmicrophones must have been used, as we seem to crawl right inside each of the instruments,and can actually feel the buzz of a vibrating reed, the grip of a rosined bow, the impactof a plucked string, the tense breath on a flute, the biting flatulence of the heavybrass. The very air reverberates with the sounds of primal nature, like the buzz of aforest pulsing with life. Above it all the percussion section is given outrageousprominence, far louder than could be generated in any auditorium, with the tympani inparticular tearing the sonic fabric with their harsh blows.

Autograph letter signed, dated : Dresden, 24 …

But as so often happens in art, the scandals of the past generate the foundations ofthe future. Indeed, the very next year Monteux introduced the score in concert and itsappeal began to take hold. By 1929, the staid proclaimed thesignificance of "to the twentieth century as Beethoven's isto the nineteenth." The arrival of in the pantheon of pop culture wasclinched when it was chosen for part of the soundtrack of Walt Disney's in1938. Incidentally, Stravinsky was paid $5,000 for the film rights, after having been toldby Disney that if he didn't agree they simply would appropriate the score anyway due tocopyright enforcement problems. The composer's reaction to the result: he condemned theperformance of the simplified and rearranged music (by Stokowski) as "execrable"and the visuals "an unresisting imbecility." But critical perspectives aside,from that point on, has become one of the most popular of all modernscores, enjoyed by millions throughout the world.

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